Monday, 28 March 2011

Blog task 1


In what ways do your media products use, develop or challenge forms and conventions of real media ?


Richard Dyer states that star image Is created from a range of materials.
We constructed aour star image from a pop promo, a digi-pack and an poster for a magazine.

Key unique qualities of our star image were constructed using various technical codes and conventions of the genre. We chose country and western genre and we sought to construct a star who symbolized some aspects of a traditional country and western star.

The term ‘star’ refers to the semi-mythological set of meaning constructed around music performers in order to sell the performer to a large and loyal audience.  Furthermore, Some common values of Music stardom are Originality, Creativity/talent and Youthfulness.  We have created an audience by using these common values. Through the use of the five technical areas of Camera, Editing, Mise en scene, sound and SPFX we have establish a star image.
In our pop video we shot our artist often from low to high establishing a ‘hero’ shot making him important and creating an audiences aspiration to be like him.   In addition through the use of diegetic gaze the audience can see and understand our artist without fully ever knowing him, making the audience want more from him but never fully getting him, drawing the audience into his world.

Fundamentally, the star image is incoherent, that is incomplete and ‘open’.  Dyer says that this is because it is based upon two key paradoxes; star must be simultaneously ordinary and extraordinary for the consumer. Secondly the star must be simultaneously present and absent for the consumer.
The incoherence of the star image ensures that audiences continually strive to ‘complete’ or to ‘make sense’ of the image. This is achieved by continued consumption of the star through their products. In the music industry, performance seems to promise the completion of the image, but it is always ultimately unsatisfying. This means that fans will go away determined to continue consuming the star in order to carry on attempting to complete their image.
Our star image is furthermore created through the use of mise en scene, including prop, location, costume and lighting.  Our Pop Video was shot as the location of Battersea Power Station which is derelict and without hope, due to the fact that it used to be used and important but is now alone and rotting.  This is reflected in our Artists performance he was once full of life which is represented by the natural sunlight surrounding him in the video however, but is now alone due to the loss of his girlfriend, which essentially has left him without hope for the his life and therefore music, as she was his muse.  This is furthermore shown by how when he finds her lying there dead the lighting is very dark and subdued.
This complies with the normal country and western star image as is often involves love and despair.  We have furthermore followed the star image of a country western star by using a leather jacket and a guitar on our artist.  However, we have modernised this star image but not using a straw hat and having him on the back of a horse with a toothpick in his mouth.  Creating a new star image which country and western audience and others can relate to and enjoy. 

In order to follow and subvert these conventions we need to establish and understanding and to learn them to be able to use them within the narrative. Negus explains them…
      The explicit and unashamed promotion of the artist’s “image” as a specific product with a brand identity, ready for mass consumption.
      The featuring of the artist
      A wide and extensive use of shot types, camera angles and movement.
Repetition of reoccurring thematic elements and generically specific iconography.
      
A possible narrative structure.
      A possible performance element
      Use of special effects
      A carefully constructed Mise en Scene appropriate to the content and tone of the track

We have used many real life example to promote our star's image, and have complied with the new subverting country and western image in oder to establish a different yet still within the genre, brand image for our artist.  However, we have not conformed to the mass audience as our target audience is a smaller well educated specific set of people.  This will lead brand consumption and future following of the artists progression. 
The generic conventions that signify and genre and signal to audiences that their expectations will be met or reinforces their knowledge or different genres and products so that they can make a purchasing choice. 
Another element with are the ingredients which form a promise of expectation for the audience.  The audiences expect a direct address to become closer with the singer and establish a relationship between the two.  However, by having a unique direct address our audience are being drawn into his world but the USP is the fact that the world they are being drawn into is lonely and depressing.  Showing that the star is promising to understand his audiences pain and therefore meeting their expectations to a certain extent. 
Furthermore, our extensive use of shots and jump cuts with our editing technique gives the audience a sense of excitement and keeps them entertained and watching.  In addition the feel of a country and western Video is quite subverted as it is often quite straight forward and filled with a clear story of love or heartbreak.  Our video does not conform to this convention.  Our star is walking around battersea power station without a clear reason to, other than the fact that it represents is uncertainty of life and it is symbolic for the path around life and how it can be repetitive.  This is shown by the editing technique of recurring shots coming back and furthermore clouds going forwards and backwards showing the uncertainty of time, and how lost he is.  The reason for his walking and wonderment is then comes apparent at the end as his lover or love interest is dead.  This theme of love and death if conforming to the normal country and western conventions as this is often a theme is this genre of music.



our Digipack allows audiences to understand the brand of the bans.  it is a way of attracting those targeted audience (16- 25, up to university level so that they are well educated and can understand the themes and subverted conventions portrayed in the video and the artwork)
This back cover represents his Black Heart and how love and music is such a large part of his life and how that his heart is broken due to the passing of his love his music is also dying with her.  This conforms to the country stereotype of music, especially country music being interlinked with love and passion.  However, this stereotype is then subverted with the Poster, as although we are trying to convey the Country and Western feel with a very stereotypical leather jacket and guitar over the shoulder, it is subverted as in the background is then a derelict abandoned power station representing his dark soul filled with loneliness.





Sunday, 27 March 2011

Pop Promo Digi Pack

Our Digi pack is a representation of our star. The poster does this through using a typical country and western font, which shows the genre of our star. This is furthermore shown through the use of his clothing. Our artist is shown to be in this genre through the guitar on his shoulder, which is typical country and in addition through the leather jacket he wears. this shows him to be masculine but still attractive so attention would be drawn to him and the poster when someone is flicking through a magazine. This will increase the revenue grossed from our album sales and help the reproduction of our artists music.

As member of the group i was able to share my photos from shoot day,  this photo of the guitar i took my self in order to represen the conventions of video and of the song as it is solely based around his music and his love. This photo shows that Both of these factors are a large part of his life.  The guitar symbolises the country and western genre as they are stereotypical country and western.  The heart however, made of rocks, represents his broken relationship and "Black heart".  When in the editing process we gave the guitar a golden glow to go against the ard and rock exterior of his heart.  To show how is music is pure and original but his heart is broken and shattered with then takes affect on his music.
 .
An album cover shows in a snap shot how the artist is represented.  By having such an organic and un touched cover is portrays the organic artist that he is.  This is also shown by how he is give the audience and inter-diagic gaze showing that although he is the artist the attention is not on him it is on his music, he is not solely attracting an audience from his sex appeal like many mass produced commercial artists.  

The ace of spades could have many interpretations.  I interpret it as a represent the game that is life an how are star has not "played along" and has gone down another path of loneliness and isolation.  This is further represented by how the Ace of spades is popular in myth and folk law as the "death card" which reflects the death which relates to the Video.  It is also traditionally the best card in the pack, giving our artist a star image of being the above the rest of the "players in the game" that is the country and western genre.

Friday, 25 February 2011

Account of Editing


“Editing is the process of selecting and preparing written, visual, audible  and film medium used to convey information through the processes of correction, condensation, organization, and other modifications in various media, performed with an intention of producing a correct, consistent, accurate, and complete output.”
To start our editing process we loaded our footage onto final cut pro which allows us to store this and edit it.  The first thing I did was to break down the footage into useable shots and place them into bins.  I labeled these categories i.e. Sky shots, Derelict shots, and direct and indirect.  However, the footage was already in order and broken into sections from the camera tape.  This was a lot easier than AS and allowed us too shoot for footage and more effectively.

After the ground work was in place we then laid the track down so that when placing shots on the timeline we could be sure to sync them with the music so that the lip syncing was in time.  However, I did have some difficulty when editing to make it as excited as possible as due our act being very organic we kept the script simple, but didn’t want to make the video boring.  This lead to us incorporating jump cuts, blurs and saturation of colour, we did this by using Final cut pro with adobe after effects.  However, I ran into issues with this as it was finding the boundaries where we added enough special effects to add to the cinematic effect without making it look over the top.  Furthermore, it was also a very long process as each individual from had to be edited to achieve the desired effect you cannot just apple the effects to the role video.
The saturation of colour shows what he sees in the world as as opposed to what it is really like as although it is sunny, in his eyes it is tainted with darkness from the loss of his love.



Furthermore, when moving onto the more elaborate editing style we researched into the editing technique of montage.  For inspiration we used one of Russia’s most prominent filmmakers, Sergie Eisenstein, he was essentially the father of montage and our mode of address as inspiration.  He was a huge help in shaping the theme of our video and helped us establish the apocalyptic feel.  This was furthermore exaggerating by the use of intercutting footage of the rubble and decay of urban London with shots of our artist.
In addition, by reversing footage i.e. the clouds this represents how our artist wishing that time could go back and he could change things emphasizes his heartbreak about the death of his love.  This could also emphasize how the world is decaying and blackening and how we wish we could reverse and change the worlds perishing.

Moreover, we subverted the commonly used convention of continuity editing by incorporating the montage technique which is less classical., and tries to shows the symbolic association of ideas between shots rather than simple psychical action for its continuity.  This style of editing worked in our favor as this broken up and jiggered style of editing representing our artists and how he is broken, torn and unstable, not the classical type of country and western he is subverting the genre like we are doing in our editing technique.  It also shows how his life is not smooth cut as it is normally portrayed in the media.  It is more realistic that things aren’t always perfect and he is a perfect representation of how one thing can interrupt your life in such a grand way.

In conclusion I feel through the use of montage, jump cuts and saturation of colour we have achieved an apocalyptic feel and a look into how our artist sees the world, which is very intimate. 

Sunday, 20 February 2011

Account of Shoot Day

Our shoot day was slightly different to the normal shoot day, as we shot all of our footage on location.  This was because of the fact that our location was 1:30 hours away from the Studio were most group film the second half of their footage.  This meant that we had to be very conscious of time and be definite in all of the shot, angles etc. and make sure that there was no technical or continuity errors in the film as we could not come back to Battersea power station and re-shoot.  We came across many problems with the scheduling of our shoot day from the weather to the security matters, this lead to rescheduling 2 or 3 times before we could actually film.  Although this created a sense organization on our behalf as we had prepared 2 or 3 times, so when the final day arrived we were sure we had thought of everything.
The day continued in this fashion:

Shooting schedule:

8:30 – Meet the crew in the studio to pack the van and talk about the day ahead

9:00 – Leave in the Mini bus with equipment and crew to Battersea

11:30- Arrive and have a security debriefing/ health and safety talk


12:00 – Begin shooting, set up tracking and play back- shoot on front of the wind turbine A +B

12:30 – Shoot more exterior of Battersea capturing the sun in the background

1:30 – Brief lunch

2:00 – Shoot interior, of “wind turbine A”


3:00 – Shoot the closing shots of realization of dead girl.

3:30- Shoot Walking through exterior tunnels and of industrial London

4:00 - Pack up tracking and play back and go back to Hurtwood.

This tight schedule helped us to stay focus and not go of the reason for why were at such a cultivating location. 
Once we arrived and had set up we looked over the storyboards, another member of our team 1 as we were switching between the role of director and in charge of playback to give a rounded feel to how everything worked and to keep on top of everything.  After we had setting up we did a couple of test shots, but unhappy with the amount of light on our artist face we decided to use a gold reflector to create more light and give him a golden feel, this job was taken on by another member of the crew Caterina, who was very good at this particular job.
Furthermore, his golden warmth was also represented in the sunny day that we were blessed, and further emphasized with warmth.

One of the strengths of this shoot day I think was our organization and hard work as although we did not have a vast amount of time to shoot we utilized every minute.  Another strength not just for the structure of the shoot day but also for our editing was that we shot in order.  This allowed us to have a clear picture of the story in our head and edit it to that same way when looking back on it in the edit suites, giving it an organic feel.

However, I feel a weakness could have been the cooperation from the rest of the group other than my self and James Burke and our teaching crew as some of the other members of the group did not pick up there end of the slack, leading to James and I to do it for them.  Although, this did not affect our end product or the running’s of the day as James and I were happy and capable to do so.


In addition, to having a security debriefing we also had to have two security guards with us at all time, keeping us save and also making sure we stayed in the designated areas.  However, this was no trouble as all of the crew were respectable of the location and behaved in a professional manner.

All in all, I feel our shoot day went very well and we achieved a lot in a small amount of time, we also all seemed to enjoy it very much shooting in such an established Location.



Wednesday, 5 January 2011

Pre - Production Planning: SET/DESIGN/LIGHTING PLANS

Some of our original ideas involved using Prosthetics in order to make our cast and set Scary but we have gone with a more simplistic and apocalyptic feel which allows us to be more experimental with our editing for example without looking over the top.  We are not going to be involved in any set design at Battersea Power Station as we chose this location as it has everything we need, space, a spooky feel and alot of rubble.  In addition, for health reasons we are not allowed to touch or rearrange things in the Wind turbine Halls where we will be filming.  However, we will be bringing some a light reflector to emphasise the golden glow of our artist look, and make him look admirable.  In turns of equipment we will be bringing:

  • A sony HD camera
  • two reels of tracking
  • A dolly (for the camera)
  • Light reflector
  • Play back
  • Generator
  • Camera Batteries
  • Aux Cable for Batteries
  • Ipod.
On the actual shoot day we will also we wearing safety hard hats, and steel toe boots.

Sunday, 2 January 2011

Callsheet

Directions:


Dorking Rh5 6nd
1. Head north on Miles's Hill/B2126 towardPasture Wood Rd
1.9 mi
2. Turn right at Water Ln
220 ft
3. Slight left at Raikes Ln
2.8 mi
4. Turn left at Crocknorth Rd
1.6 mi
5. Turn right at Green Dene
0.6 mi
6. Take the 1st left onto Epsom Rd/A246
0.4 mi
7. Take the 1st right onto Ockham Rd S/B2039
3.9 mi
8. At the roundabout, take the 2nd exit onto the A3 ramp
0.3 mi
9. Merge onto A3
15.6 mi
10. Turn right at Kingston Vale/A3
2.7 mi
11. Turn right at Upper Richmond Rd/A3
0.6 mi
12. Slight left at Swandon Way/A217
0.3 mi
13. At the roundabout, take the 2nd exit ontoYork Rd/A3205
2.5 mi
14. Turn left at Kirtling St

Map:




























Shooting schedule:

8:30 – Meet the crew in the studio to pack the van and talk about the day ahead

9:00 – Leave in the Mini bus with equipment and crew to Battersea

11:30- Arrive and have a security debriefing/ health and safety talk

12:00 – Begin shooting, set up tracking and play back- shoot on front of the             tunnels

12:30 – Shoot more exterior of Battersea capturing the sun in the background

1:30 – Brief lunch

2:00 – Shoot interior, of “wind turbine A”

3:00 – Shoot the closing shots of realization of dead girl.

3:30- Shoot Walking through exterior tunnels and of industrial London

4:00 - Pack up tracking and play back and go back to Hurtwood.